The FADER spoke with Atlanta-based artists quinn and FearDorian about the new scene they're building with the help of a nascent "multimedia collective."
For The FADER's Apollo Frequencies, Raphael Helfand revisits Scott Walker's most risky and ambitious work, “SDSS1416+13B (Zercon, A Flagpole Sitter)."
From Full of Hell to Deerhoof, here are the artists we’re excited to see in New York City in June.
Psychedelic Sangha’s Bardo Bath at Sparrow Funeral Home in Brooklyn was alternately transcendent and silly. Read The FADER's review.
In the first edition of Apollo Frequencies, Raphael Helfand reviews avant-garde ensemble Talujon's performance of Gerard Grisey's Le Noir de l'Etoile at the 2025 Long Play festival.
Jenny Hval talks her perfume journey and her favorite scent memories in an interview about her new album, Iris Silver Mist, out May 2.
Mei Semones, The FADER's newest GEN F star, talks her debut album Animaru, singing in Japanese, and her bossa nova and jazz influences.
Flagboy Giz tracks the entire history "We Outside," a song that began as a Mardi Gras hit and turned into a New Orleans anthem.
Michael Hurley passed away last week at 83, leaving behind a legacy of untethered folk. Read our appreciation of his beloved album 'Armchair Boogie.'
Danish violist, producer, and singer-songwriter Astrid Sonne discusses performing the songs from her 2024 album 'Great Doubt' at a church at Big Ears 2025.
On her return to songwriting, Eiko Ishibashi provides an elusive soundtrack to the end of the world as we know it on 'Antigone.'
Big Ears 2025 takes over Knoxville, Tennssee this weekend, and the lineup is so stacked, you won't be able to see everything the festival has to offer. Here are the toughest calls we'll be making.
